Haydn's Minuets and Eighteenth-Century Dance

Audiences in eighteenth-century Vienna attended the city's popular public balls, where they danced the minuet. This book explores the public dance culture of Vienna in the late eighteenth century as an essential context in which to understand minuet composition from this period, focusing on the music of Haydn, and restores the array of kinaesthetic associations and expectations that eighteenth-century audiences brought to the listening experience through their knowledge of the dance. It reconstructs the choreography of the minuet as it was performed in the Viennese dance halls and examines the repertoire of minuets composed specifically for dancing, bringing new perspectives to the minuet genre. This recovered bodily knowledge allows the author to put forward an analytical method of 'somatic enquiry' and apply it to Haydn's symphonic minuets from the 1790s, revealing previously hidden features in this music that come to light when listening with an understanding of the dance.

The first modern book that equips readers with no prior experience to dance the minuet as it was danced in 1790s Vienna, as reconstructed from historical treat
Offers a detailed analytical methodology for interpreting minuet movements, giving performers and listeners fresh insights into the music
Puts forward a new method of 'somatic enquiry' and offers readers interested in somatics or phenomenology a concrete way of connecting bodily movement with sound

CONTENIDOS:

List of figures
List of tables
List of musical examples
Acknowledgements
Introduction
1. The dance culture of late-eighteenth-century Vienna
2. The choreography of the Viennese minuet as a group dance
3. The music of the Viennese minuet
4. A somatic enquiry into the minuet
5. Somatic analysis of the concert minuets
Epilogue
Bibliography
Index.